Curator, writer, and cultural strategist creating spaces where art, science, and culture meet.
Reviews and other writing
The Rise of Split-Screen Painting — opinion essay, Frieze, March 2025 • Read online
Look Again; Gender; Empire; Class; Feminism — book review, Art Monthly, April 2022 • Read online
Giving Bodies Back to Data — book review, Art Monthly, March 2022 • Read online
Dannielle Braithwaite-Shirley: She Keeps Me Damn Alive — exhibition review, Art Monthly, February 2022 • Read online
Investigative Aesthetics: Conflicts and Commons in the Politics of Truth — book review, Art Monthly, September 2021 • Read online
Conversations on Violence: An Anthology — book review, Art Monthly, May 2021
On the Western Edge, with Atlas. Aimée Parrott: Gaia’s Kidney — exhibition text, Broadway Gallery, November 2020
Benedict Drew: Trapped in a Sticky Shed with Side Chain Compression — exhibition review, Frieze, November 2019 • Read online
Art and Postcapitalism: Aesthetic Labour, Automation and Value Production — book review, Art Monthly, October 2019
Survival Strategies: Mycorrhiza and Extancy — guest-edited issue, Sluice Magazine, August 2019
WLTHF Meretseger or Similar Snake Headed Woman — exhibition text, Castor Projects, June 2019
Patricia L Boyd: Inter- — exhibition review, Art Monthly, March 2019
k-punk by Mark Fisher — book review, Art Monthly, December 2018
Love Art to Death: Interview with Magda Sawon — interview, Sluice Magazine, May 2018
John Akomfrah: Purple — exhibition review, Art Monthly, December 2017
Houses Are Really Bodies — exhibition review, thisistomorrow, May 2017
David Ferrando Giraut: The Accursed Stare — exhibition review, thisistomorrow, April 2017
Prismatic: New Paintings by Biggs and Collings — exhibition review, Artsy, March 2016
Robel Temesgen Brings the Protective Spirits of Ethiopia to London — exhibition review, Artsy, January 2016
Milla Eastwood at The Dot Project — exhibition review, Artsy, December 2015
Interview with Joseph Allen Shea — interview, Chapbook, November 2014
The High Frontier: Some Uneducated Thoughts on Space Colonies — feature essay, Chapbook, November 2014
On Isabel Reitemeyer — short reflection, Chapbook, June 2014
I am a curator, writer, and cultural strategist working across contemporary art, research, and engagement. My practice explores how art, science, and cultural production intersect, with a particular focus on data, philosophical understandings of material, and the ontology of space.
Alongside my institutional curatorial roles, I independent curate exhibitions, publications, and research projects that fall outside of museum programmes. I love working with artists, collaborating slowly, and having interesting conversations.
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